Hamentaschen are triangular-shaped pastries that are traditionally eaten during the Jewish holiday of Purim."Hamantaschen" is a Yiddish word meaning "Haman’s pockets."
For our Jewish friends, the
scroll of Esther is inseparable from the celebration of Purim, a carnival-like festival. Esther is a melodrama—a drama that is told with exaggerated characters. There
is a hero (or in this case a heroine, Esther) and a villain (the evil Haman.) As
with all melodramas, the plot appeals to our emotions and the audience gets
involved by booing and hissing and shaking noisemakers whenever "he-who-must-not-be-named's" name is spoken. Very
often melodramas also have some PG-13 parts and this one is no exception: if
you were seeing it performed at the Hanover Theater you’d find it pretty tame,
but hearing it read in Church, from the Bible, might surprise some people and
even make a few blush. Unfortunately, most Christians are not nearly as familiar
with this story as Jews. In fact, the reading we heard today is the only
opportunity we get every three years to remember it in our common worship and the
words we heard come at the end of the play. So if we don’t remember all that
preceded it, it makes little sense. Let me begin, then, by sharing a brief
summary of what led to this point.
In scene one, the narrator
tells us that “all this happened in the
days of Ahasuerus, the same Ahasuerus who ruled over one hundred twenty-seven
provinces from India to Ethiopia. It’s the third year of his reign.” What is important to note here is that we
aren’t in Israel anymore, Toto; but at the heart of the Persian Empire
(modern-day Iran.) The story is about how hard it is for God’s faithful people
to live in the midst of a foreign imperial power. As it begins, the king is seated on his royal
throne surrounded by political advisors, including the evil Haman. (Boo, hiss, noismakers!)
What follows is a wild,
unrestrained, party. On the seventh
day of this bash, the narrator tells us that the king was “merry with wine.” (This
is Biblical code language for “wasted”) He commands his beautiful wife, Vashti,
to come in and do a little dance for his guests wearing her royal crown. It’s
pretty clear that what he is asking is that she dance wearing nothing but the crown. She refuses, and now the drunken king is furious. His advisors suggest that this cannot be tolerated because
empires rely on compliance: not only is the authority of the emperor supposed
to be absolute, but if people learn that the queen doesn’t obey the king, then
ordinary women will stop obeying their husbands. And so they convince the king to
issue an edict to all the royal provinces that “every man is master of his own
house.” They also convince him to get rid of Queen Vashti and hold a beauty
pageant to find a new queen.
“Meanwhile in a nearby village ...there is this Jew named Mordecai, son
of Jair son of Shimei son of Kish, a Benjamite.” (2:5) He has a beautiful
cousin whose name is Esther. Mordecai suggests that Esther enter the beauty
contest, which she agrees to do. Now part of the plot here is that while a guy named
Mordecai will probably not be mistaken for an Irish Catholic, Esther can “pass”
as Persian and neither she nor Mordecai see any reason to let anybody know of
her religious preference. (So she doesn’t check that box on the pageant application.)
Only she, Mordecai, and the audience know that she is a Jew.
We have now met all of the
key players in those first two scenes, and the story is underway. Let me speed
up the plot a bit here: Esther wins the contest and becomes queen. She becomes
an “insider”—but only by keeping her identity a secret. Remember that. In the
meantime the evil Haman (boo, hiss, noisemakers!) is
promoted and becomes the chief advisor to the king. Haman loves power and hates
the Jews. Whenever he walks out in public, he expects people to bow to him. Mordecai
refuses to do that, however, and Haman decides to show Mordecai who is boss by
introducing a bill that will basically enact a holocaust and kill all Jews in
the empire.
Esther, however, is now in a
position to expose the evil Haman and his plot to kill her people, and she does
just that. Her actions save her people, and change the course of history. We
heard the end of the story today: as in every good melodrama, good triumphs
over evil and Haman gets what is coming to him. Listen, then, once more to the
words we heard earlier:
The king and Haman went in to feast with Queen Esther.
On the second day, as they were drinking wine, the king again said to Esther,
"What is your petition, Queen Esther? It shall be granted you. And what is
your request? Even to the half of my kingdom, it shall be fulfilled." Then
Queen Esther answered, "If I have won your favor, O king, and if it
pleases the king, let my life be given me—that
is my petition—and the lives of my people—that is my request. For we have been
sold, I and my people, to be destroyed, to be killed, and to be annihilated. If
we had been sold merely as slaves, men and women, I would have held my peace;
but no enemy can compensate for this damage to the king." Then King
Ahasuerus said to Queen Esther, "Who is he, and where is he, who has
presumed to do this?" Esther said, "A foe and enemy, this wicked
Haman!" Then Haman was terrified before the king and the queen. Then
Harbona, one of the eunuchs in attendance on the king, said, "Look, the
very gallows that Haman has prepared for Mordecai, whose word saved the king,
stands at Haman's house, fifty cubits high." And the king said, "Hang
him on that." So they hanged Haman on the gallows that he had prepared for
Mordecai.
And that’s what Purim is all
about, Charlie Brown! That is the whole megillah.
That’s why it’s a time for feasting and for sending gifts of food to one
another and presents to the poor. This year Purim will begin at sunset on
Saturday, February 23. If you have an opportunity to attend a Purim celebration, I
encourage you to do so.
Well, what do we do with this story that is over 2500
years old and set in a culture very different from our own? Why did we say “the word of the Lord/ thanks be to God”
when we heard this reading? Out of habit? Is there in fact a word of the Lord
here for us or not? And if so, what might it be?
Because this is the Bible, we claim that this scroll
tells us something about God, although interestingly enough the name of God
doesn’t appear; not even once. Except for Mordecai, none of the characters are particularly
religious, including Esther. Yet in another sense, God permeates the story. “Perhaps you are in this position for a
reason,” Mordecai tells his cousin, Esther, at a key point in the play. Esther speaks up not because of some big
mystical experience, but simply because she’s in a place where she can make a
difference. In a very dangerous world she does the right thing by acting
bravely and compassionately, at great risk to herself. There’s another vignette
that I didn’t share today in my rush to outline the plot: early on in the story
the king has one of those sleepless nights where he is tossing and turning
until he can’t take it anymore. He finally gets up to read a book, which turns
out to be some old police reports: “The Book of Memorable Deeds.” (Sounds like
something out of The Princess Bride,
doesn’t it?) In it he discovers that Mordecai had reported two eunuchs who were
plotting to assassinate the king. No proclamations were made and no royal
medals were awarded, but Mordecai can’t easily be “disappeared” because he’s
now on the king’s radar. The rabbis
suggest that God is the one behind that sleepless night; that this is
precisely the kind of subtle way that God influences this world.
The narrator may be
suggesting that God is at work in our lives—behind the scenes—even when we
don’t know it. And that we are put into certain situations for a reason. And
that there are no coincidences. As Christians we might ascribe all of these
things to the work of the Holy Spirit, who has a knack of getting us where we
need to be and sometimes even causes us sleepless nights that stir us to
action. I wonder if some of us might even say that the God we encounter in
Esther is closer to our own experience: discerned through hints and guesses
more often than speaking in a clear voice at a burning bush or blinding us on
the road to Damascus or Worcester.
Because this is the Bible,
this story also suggests something about the human condition. The Book of
Esther knows that it’s a dangerous world out there, especially for those
without power: women, religious minorities, the poor. So this Purim play is
about the challenges of trying to be faithful in the midst of imperial power;
about obedience to God rather than the rulers of this age. It’s about the
cosmic struggle against the evil powers of this world which corrupt and destroy
the creatures of God. It’s easy to put all of the evil on a villain like Haman
(or Satan or Hitler or Osama bin Laden) but only very rarely does real life
unfold like a melodrama. The most insidious evil usually involves at least
fifty shades of gray.
Some of you have perhaps read
Three Cups of Tea or The Kite Runner. If so, you know that
melodrama or not, the world of King Ahasuerus is very real. The whole idea that
Vashti is put away because she had the audacity to disobey her husband’s obscene
request is pretty repulsive, but unfortunately not so farfetched even today in
Iran. And maybe not so farfetched for anyone living in an alcoholic, abusive relationship either. As for the rest of us, it may be true that we have come a long way, baby. Even
so, we still deal with sexism that dehumanizes both women and men. Perhaps
you’ve seen the stir caused recently by the latest geisha girl lingerie from
Victoria’s Secret. And a friend of mine posted recently on Facebook a response from our Secretary of State to a question from
a reporter who asked her “who her favorite fashion designer was.” Hillary
turned it back on the reporter and asked if that was a question that was
regularly asked of men in government. Of course it is not.
This past week we began our
interfaith Bible study on Genesis and one of my Jewish friends who teaches
Sunday School teaches the children from a very young age to do as the rabbis
have done for centuries: she invites one student to comment on a Biblical text,
and then the next student comments on both the text and the comment, and then
the next student comments on the text and the two comments; all the way around
the room. This is, of course, standard operating procedure for rabbinical
interpretation down through the centuries. Walter Brueggemann has noted that we
Christians like to give closure to our readings and interpretations, but “it is
recurringly Jewish to recognize that our readings are always provisional,
because there is always another text, always another commentary, always another
rabbinic midrash…” inviting us to live more fully into the questions.
So I think it really is ok to finish reading Esther and ask a really big question like “is this the kind of world we want our daughters and granddaughters to grow up in?” (And "is this the kind of world we want our sons and grandsons to grow up in?)
So I think it really is ok to finish reading Esther and ask a really big question like “is this the kind of world we want our daughters and granddaughters to grow up in?” (And "is this the kind of world we want our sons and grandsons to grow up in?)
I found myself reading a lot
of feminist criticism on this text this week, both Jewish and Christian. There
is some debate about whether Vashti should be considered the true heroine here; that
maybe it is better to stand up against “the man” even if it gets you killed.
Maybe. For her own part, Esther compromises—maybe even in some way she has to
compromise some of her own integrity in a world that is far from ideal—to act for the greater good. Aren’t these often the kind of ambiguous moral choices
you and I face as well, both as women and men?
I don’t have much more to say about that, except to share these comments along with the story itself and then pass it all along, hoping that it might generate further conversation and maybe even argument, that may yet lead us to new possibilities and new insights. But I do think this is the pathway that may potentially lead us to say and mean that this is a "Word of the Lord" - thanks be to God!
I don’t have much more to say about that, except to share these comments along with the story itself and then pass it all along, hoping that it might generate further conversation and maybe even argument, that may yet lead us to new possibilities and new insights. But I do think this is the pathway that may potentially lead us to say and mean that this is a "Word of the Lord" - thanks be to God!