This weekend I am preaching at Trinity Church in Milford. Every three years there is just one opportunity to preach on the Book of Esther for those who, like me, preach from the Revised Common Lectionary. I try not to miss the chance to let Christian congregations in on this great story. You can read the appointed text here.
For our Jewish friends, the scroll of Esther is inseparable from the celebration of Purim, which has a carnival-like atmosphere. Esther is a melodrama—a drama that is told with exaggerated characters. There is a hero (or in this case a heroine, Esther) and a villain (the evil Haman.) As with all melodramas, the plot appeals to our emotions and the audience gets involved by booing and hissing and shaking noisemakers whenever the villain’s name is even mentioned. I am told by your rector that you all know this here at Trinity…
For our Jewish friends, the scroll of Esther is inseparable from the celebration of Purim, which has a carnival-like atmosphere. Esther is a melodrama—a drama that is told with exaggerated characters. There is a hero (or in this case a heroine, Esther) and a villain (the evil Haman.) As with all melodramas, the plot appeals to our emotions and the audience gets involved by booing and hissing and shaking noisemakers whenever the villain’s name is even mentioned. I am told by your rector that you all know this here at Trinity…
Very often melodramas also have
some PG-13 parts and this one is no exception: if you were seeing it performed
on stage you’d find it pretty tame, especially if you’ve seen A Chorus Line or Avenue Q and the like. But hearing it read in Church, from the Bible, surprises some people and may
even make a few blush. Unfortunately, most Christians are not nearly as familiar
with this story as Jews. In fact, the reading we heard today is the only
opportunity we get every three years to remember it in our common worship and the
words we heard come at the end of the play. So if we don’t remember all that
preceded it, it makes little sense. Let me begin, then, by sharing a brief
summary of what led to this point.
In scene one, the narrator
tells us that “all this happened in the
days of Ahasuerus, the same Ahasuerus who ruled over one hundred twenty-seven
provinces from India to Ethiopia. It’s the third year of his reign.” What is important to note here is that we aren’t
in Israel anymore, Toto, but at the heart of the Persian Empire (what we call modern-day
Iran.) The story is about how hard it is
for God’s faithful people to live in the midst of a foreign imperial
power.
As it begins, the king is seated
on his royal throne surrounded by political advisors, including the evil Haman.
(Boo, hiss!) What follows is a wild,
unrestrained, party. On the seventh
day of this bash, the narrator tells us that the king was “merry with wine.” (This
is Biblical code language for “totally wasted.”) He commands his beautiful wife,
Vashti, to come in and do a little dance for his guests wearing her royal
crown. (It’s pretty clear that what he is asking is that she dance wearing nothing
but her crown.) She refuses, and the
king is furious. His advisors suggest that this cannot be tolerated because empires
rely on compliance: not only is the authority of the emperor supposed to be
absolute, but if people learn that the queen doesn’t obey the king, then
ordinary women will stop obeying their husbands. And so they convince the king to
issue an edict to all the royal provinces that “every man is master of his own
house.” They also convince him to get rid of Queen Vashti and hold a beauty
pageant to find a new queen.
“Meanwhile in a nearby village ...there is this Jew named Mordecai, son
of Jair son of Shimei son of Kish, a Benjamite.” (2:5) He has a beautiful
cousin whose name is Esther. Mordecai suggests that Esther enter the beauty
contest, which she agrees to do. Now part of the plot here is that while a guy named
Mordecai will probably not be mistaken for an Irish Catholic, Esther can
“pass” as Persian. And so neither she nor Mordecai see any reason to let
anybody know of her religious preference. (So she doesn’t check that box on the
pageant application.) Only she, Mordecai, and the audience know that she is a
Jew.
Are you with me? We have now met
all of the key players in those first two scenes, and the story is underway.
Let me speed up the plot a bit here: Esther wins the contest and becomes queen.
She becomes an “insider,” but only by keeping her identity a secret. Remember
that. In the meantime the evil Haman (boo,
hiss) is promoted and becomes the chief advisor to the king. Haman loves
power and hates the Jews. Whenever he walks out in public, he expects people to
bow to him. Mordecai refuses to do that, however, and Haman decides to show
Mordecai who is boss by introducing a bill that will basically enact a
holocaust and kill all the Jews in the empire.
Esther, however, is now in a
position to expose the evil Haman and his plot to kill her people, and she does
just that. Her actions save her people, and change the course of history. We
heard the end of the story today: as in every good melodrama, good triumphs
over evil and Haman gets what is coming to him. Listen, then, once more to the
words we heard earlier:
The king and Haman went in to feast with Queen Esther. On the second day, as they were drinking wine, the king again said to Esther, "What is your petition, Queen Esther? It shall be granted you. And what is your request? Even to the half of my kingdom, it shall be fulfilled." Then Queen Esther answered, "If I have won your favor, O king, and if it pleases the king, let my life be given me— that is my petition—and the lives of my people—that is my request. For we have been sold, I and my people, to be destroyed, to be killed, and to be annihilated. If we had been sold merely as slaves, men and women, I would have held my peace; but no enemy can compensate for this damage to the king." Then King Ahasuerus said to Queen Esther, "Who is he, and where is he, who has presumed to do this?" Esther said, "A foe and enemy, this wicked Haman!" Then Haman was terrified before the king and the queen. Then Harbona, one of the eunuchs in attendance on the king, said, "Look, the very gallows that Haman has prepared for Mordecai, whose word saved the king, stands at Haman's house, fifty cubits high." And the king said, "Hang him on that." So they hanged Haman on the gallows that he had prepared for Mordecai.And that’s what Purim is all about, Charlie Brown! That is the whole megillah.. That’s why it’s a time for feasting and for sending gifts of food to one another and presents to the poor. This year Purim will begin at sunset on Wednesday, March 4. If you have an opportunity to attend a Purim celebration with Jewish friends, I urge you to do so.
Well, what do we do with this story that is over 2500
years old and set in a culture very different from our own? Why did we say “the word of the Lord/ thanks be to God”
when we heard this reading? Out of habit? Is there in fact a word of the Lord
here for us or not? And if so, what might it be?
Because this is the Bible, we claim that this scroll
tells us something about God, although interestingly enough the name of God
doesn’t appear; not even once. Except for Mordecai, none of the characters are particularly
religious, including Esther. Yet in another sense, God permeates the story. “Perhaps you are in this position for a
reason,” Mordecai tells his cousin, Esther, at a key point in the play. Esther speaks up not because of some big
mystical experience, but simply because she’s in a place where she can make a
difference. In a very dangerous world she does the right thing by acting
bravely and compassionately, at great risk to herself.
There’s another vignette that I didn’t share today in
my rush to outline the plot: early on in the story the king has one of those
sleepless nights where he is tossing and turning until he can’t take it
anymore. He finally gets up to read a book, which turns out to be some old
police reports: “The Book of Memorable Deeds.” (Sounds like something out of The Princess Bride, doesn’t it?) In it he
discovers that Mordecai had reported two eunuchs who were plotting to
assassinate the king. No proclamations were made and no royal medals were
awarded, but Mordecai can’t easily be “disappeared” because he’s now on the
king’s radar. The rabbis suggest that God
is the one behind that sleepless night; that this is precisely the kind of
subtle way that God influences this world.
The narrator may be suggesting that God is at work in
our lives—behind the scenes—even when we don’t know it. And that we are put into certain situations for a
reason; that there are no coincidences. As Christians we might ascribe all of
these things to the work of the Holy Spirit, who has a knack of getting us
where we need to be and sometimes even causes us sleepless nights that stir us
to action. I wonder if some of us might even say that the God we encounter in
Esther is closer to our own experience: discerned through hints and guesses
more often than speaking in a clear voice at a burning bush or blinding us on
the road to Damascus or Milford.
Because this is the Bible,
this story also suggests something about the human condition. The Book of
Esther knows that it’s a dangerous world out there, especially for those without
power: women, religious minorities, the poor. So this Purim play is about the
challenges of trying to be faithful in the midst of imperial power; about
obedience to God rather than the rulers of this age. It’s about the cosmic
struggle against the evil powers of this world which corrupt and destroy the
creatures of God. It’s easy to put all of the evil on a villain like Haman (or
Satan or Hitler or Osama bin Laden) –but only very rarely does real life unfold
like a melodrama. The most insidious evil usually involves some shades of gray.
Some of you have perhaps read
Three Cups of Tea or The Kite Runner. If so, you know that,
melodrama or not, the world of King Ahasuerus is very real. The whole idea that
Vashti is put away because she had the audacity to disobey her husband’s obscene
request is pretty repulsive, but unfortunately not so farfetched even today in
Iran. As for us in the west, it is true that we have come a long way, baby. But
even so, we still deal with sexism that treats women unfairly and in the
process dehumanizes both women and men.
Walter Brueggemann has noted
that we Christians like to give closure to our readings and interpretations,
but that “it is recurringly Jewish to recognize that our readings are always
provisional, because there is always another text, always another commentary,
always another rabbinic midrash…” So, it is, I think with Esther. We are invited
to live more fully into these questions. Perhaps when we finish reading Esther,
one of the big questions worth asking is, “is this really the kind of world we
want our daughters and granddaughters to grow up in?” There is a fair amount of
feminist criticism out there on this text, both Jewish and Christian. And there
is some debate about whether Vashti should be considered the true heroine here
rather than Esther. Maybe it is better to stand up against “the man” even if it
gets you killed. Maybe. At the very least the Vashtis of this world must not be
forgotten. For her own part, Esther compromises—maybe even in some way she has
to compromise some of her own integrity in a world that is far from ideal—in
order to act for the greater good.
But Esther shows us another way to come at all of this – with inquiring and discerning hearts. Perhaps we need to be asking ourselves, from time to time: why am I here and what can I do? Perhaps I have been put here for a reason?